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Bernardo Bellotto, Belotto (Canaletto) (1721 - 1780)


100 paintings found , preview of picture 1 to 12

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Bernardo Bellotto, Belotto (Canaletto) - Canal Grande

Bernardo Bellotto, Belotto (Canaletto) - Canal Grande and the church San Stae, Venice

Bernardo Bellotto, Belotto (Canaletto) - Piazetta di San Marco, Venice







 
Bernardo Bellotto, Belotto (Canaletto) - View of Santo Stefano, Venice

Bernardo Bellotto, Belotto (Canaletto) - View of the church Santa Maria Formosa, Venice

Bernardo Bellotto, Belotto (Canaletto) - View of  Rio dei Medicanti, Venice







 
Bernardo Bellotto, Belotto (Canaletto) - Campo di SS. Giovanni e Paolo, Venice

Bernardo Bellotto, Belotto (Canaletto) - Santa Maria dei Miracoli, Venedig

Bernardo Bellotto, Belotto (Canaletto) - Arno with the Carraia bridge, Florence







 
Bernardo Bellotto, Belotto (Canaletto) - Arno with the Santa Trinita bridge, Florence

Bernardo Bellotto, Belotto (Canaletto) - Römisches Forum mit Tempel, Rom

Bernardo Bellotto, Belotto (Canaletto) - View of Dolo







 

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Information on the artist

Canaletto (Bernardo Bel(l)ot(t)o) (1720/21 - 1780) was a Venetian painter born in Venecia.
He was the pupil and nephew of Canaletto, and sometimes also used his name - illegally according to some. His style was characterized by an elaborate capturing of architectural or natural features, as well as the specific quality of each place's lighting.
His career was of strong international character. Traveling through Italy he visited Rome, Florence, Turin, Milan and Verona and created memorable images of each city. From 1747 to 1758 he moved to Dresden, following an invitation of King August III of Poland. He created various paintings of the cities Dresden and Pirna and their surroundings. Today, these paintings personate a memory of Dresden's beauty, which was destroyed in the bombing during World War II.
His international reputation grew, and in 1758 he followed an invitation by the Empress Maria Theresa of Austria to Vienna, where he created paintings of the city's monuments. Thereafter he worked in Munich and then Dresden, again. His last stay was in Warsaw, beginning in 1766. His paintings of Warsaw were used for rebuilding the city after its near complete destruction in World War II.